"[27] The main engineer for the album, Dave Hassinger, was pivotal in making the group feel comfortable during the sessions, as he let them experiment with instrumentals and team up with session musicians like Jack Nitzsche to variegate their sound. However, the band uses musical connections between songs as well as the subtheme of travel, the use of feline metaphors for women and other lyrical connections to suggest that the characters whom lead singer Mick Jagger portrays throughout the album are really one and perhaps stem from the deep recesses of his psyche. [67] As Greil Marcus observes, the songs' protagonists can be interpreted as London bohemians severely disdainful of bourgeois comfort, positing "a duel between the sexes" and weaponizing humour and derision. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. [56] Conceding that male chauvinism became a key theme of the Stones' lyrics from late 1965 onwards, Richards later told Bockris: "It was all a spin-off from our environment ... hotels and too many dumb chicks. The Rolling Stones è un gruppo musicale rock britannico composto da Mick Jagger (voce, armonica, chitarra, piano), Keith Richards (chitarre, voce, basso, piano), Ronnie Wood (chitarre, cori, pedal steel guitar, basso, synth) e Charlie Watts (batteria, percussioni). It was almost as if women in all their contradictory humanity symbolised the conditions of life that were the ultimate target of the Stones' anger. Decca and London rejected his idea, fearing the allusion to Jesus walking on water would provoke a negative reaction from Christians in the US. [135], Aftermath frequently appears on professional rankings of the best albums. "[115][nb 9], Some feminist writers defended Jagger's stance in "Under My Thumb". In 1966, inspired by the formidable women around them, driven by the twin engines of ambition and drugs, the Rolling Stones continued a run of visionary hit singles and began to release albums that stood as crucial works of the era. 1 Pagina 1 van 1. Keith Richards fell in love with her too, and their romantic triad realigned the precarious political axis within the Stones. the singer displays contempt for his lady. [85] Jones was vocal in his dislike of Oldham's design when interviewed by Melody Maker in April. Aftermath was an immediate commercial success in both the UK and the US, topping the British albums chart for eight consecutive weeks and eventually achieving platinum certification from the Recording Industry Association of America. 14 tracks (50:49). The album was also highly successful with critics, although some listeners were offended by the derisive attitudes towards female characters in certain songs. Considered to be the Stones’ breakthrough record, Aftermath saw the band go all-original with the tracklisting thanks to Mick Jagger and Keith Richards’ creative tandem – augmented by Brian Jones’ experimentation on multiple instruments.The album put the Rolling Stones on the pedestal as the original bad boys of the scene. [65], According to the music historian Simon Philo, like all the Stones' 1966 releases, Aftermath also reflects the band's "engagement" with Swinging London, a scene in which their decadent image afforded them a pre-eminent role by capturing the meritocratic ideals of youth, looks and wealth over social class. [47] According to Kevin Courrier, the Stones use "softly intricate" arrangements that lend the record a "seductive ambience" similar to Rubber Soul, particularly on "Lady Jane", "I Am Waiting", "Under My Thumb" and "Out of Time". [84] The album's songs also proved popular among other recording artists, "Mother's Little Helper", "Take It or Leave It", "Under My Thumb" and "Lady Jane" all being covered within a month of Aftermath's release. The Rolling Stones were recorded in multitrack stereo in early recording sessions at Chess Studios in Chicago and RCA Studios in Hollywood. [167] The American edition of the album is included in "A Basic Record Library" of 1950s and 1960s recordings published in Christgau's Record Guide: Rock Albums of the Seventies (1981). The even numbered years seemed to have been more successful for the Rolling Stones than the odd. cd the rolling stones aftermath pas cher ⭐ Neuf et occasion Meilleurs prix du web Promos de folie 5% remboursés minimum sur votre commande ! The first stable line-up consisted of founders Mick Jagger (lead vocals, harmonica), Keith Richards (guitar, vocals), bandleader Brian Jones (guitar, harmonica, and keyboards), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). [97][nb 6] Aftermath was the band's fourth British and sixth American studio album. Certainly one of the top 2 or 3. More images. [93] On 2 July, London released the American edition of the album with "Paint It, Black" replacing "Mother's Little Helper", which was released the same day in the US as a single with "Lady Jane" as the B-side. "[54], In Guesdon and Margotin's view, the Stones express a more compassionate attitude towards women in "Mother's Little Helper", which examines a housewife's reliance on pharmaceutical drugs to cope with her daily life, and in "Lady Jane"'s story of romantic courtship. [45] Jagger echoes these sentiments in a 1995 interview for Rolling Stone, regarding it as a stylistically diverse work and milestone for him that "finally laid to rest the ghost of having to do these very nice and interesting, no doubt, but still, cover versions of old R&B songs – which we didn't really feel we were doing justice, to be perfectly honest". [102] In the US, the album entered the Billboard Top LPs at number 117 on 2 July, making it the chart's highest new entry that week. The Rolling Stones – Aftermath. Country: US. The Rolling Stones "No Security" tour ran from January to June 1999 through North America and Europe. View credits, reviews, tracks and shop for the 1992 CD release of "Aftermath" on Discogs. The band's misgivings about their rock stardom are also touched on, including relentless concert tours in "Goin' Home" and fans who imitate them in "Doncha Bother Me", in which Jagger sings, "The lines around my eyes are protected by copyright law". [165] In 2003, Rolling Stone ranked the American edition at number 108 on the magazine's "500 Greatest Albums of All Time" list. [62] While songs such as "Stupid Girl" and "Under My Thumb" may be misogynistic, they are also interpreted as dark representations of the narrator's hateful masculinity. [147] In 1987, it was voted 68th in Paul Gambaccini's book Critics' Choice: The Top 100 Rock 'n' Roll Albums of All Time, based on submissions from an international panel of 81 critics, writers and broadcasters. [124] While suggesting Jagger and Richards rank second behind John Lennon and Paul McCartney as composers of melody in rock, Christgau still considered it the best album in any category and wrote: Rock aficionados class the Stones with the Beatles, but perhaps they haven't impressed a wider audience because their devotion to the music is pure: the Hollyridge Strings will never record an album of Jagger–Richard melodies. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. Ad. [127] In Malvinni's opinion, Aftermath was "the crucial step for the Stones' conquering of the pop world and their much-needed answer" to Rubber Soul, which had similarly embodied the emergence of youth culture in popular music during the mid-1960s. : The Rolling Stones chockolate bars will be made available online next week. 2 (1965, UK) / The Rolling Stones, Now! But for anyone willing to discard his preconceptions, Aftermath is a great experience, a distillation of everything that rock and blues are about. [147] In 2000, it was voted number 387 in Colin Larkin's All Time Top 1000 Albums. [13] Jagger came to view his girlfriend, Chrissie Shrimpton, as inadequate by comparison; while Jagger sought a more glamorous companion commensurate with his newfound wealth, the aura surrounding Jones and Pallenberg contributed to the end of his and Shrimpton's increasingly acrimonious relationship. [40] Aftermath was also the first Stones LP to be recorded in true stereo, as opposed to electronically recreated stereo. "[83] For the cover image, close-ups of the band members' faces were diagonally aligned against a pale-pink and black coloured background, and the album title was cut in half across a line break. View credits, reviews, tracks and shop for the 1966 Vinyl release of "Aftermath" on Discogs. 03:10 05. [20][nb 1] The recording sessions took place at RCA Studios in Los Angeles on 6–10 December 1965 and, following promotion for their "19th Nervous Breakdown" single and an Australasian tour, on 3–12 March 1966. [68] In agreement with Marcus, Courrier adds that, as the "evil twin" of Rubber Soul, Aftermath takes that album's "romantic scepticism" and reframes it into a narrative of "underclass revolt". A 1966 hit. : A Trip Across Latin America, The Rolling Stones: An Illustrated Record, Stone Country: Country Artists Perform the Songs of the Rolling Stones, Live 1965: Music From Charlie Is My Darling, Through the Past, Darkly (Big Hits Vol. The magazine's reviewer applauded its focus "on big beat, power and interesting 'sounds'", noting how the use of dulcimer, sitar, organ, harpsichord, marimba and fuzz boxes creates an "overwhelming variety of atmospherics and tones". Jagger was among the pop musicians and other leading creative figures of contemporary London that Bailey included in his collection of monochrome photographic portraits, Margotin and Guesdon give a date of 20 June for, "Out of Time" and "Take It or Leave It" remained unreleased in the US until June 1967, when they were included on the London Records album, Anderson used the pseudonym in his brief endeavor into rock criticism, which the sociologist Gregory Elliott later described as a prudent move because Anderson's preferences – for the Stones over, In 1970, Paglia defended "Under My Thumb" in an exchange with members of the. [104] Adding to Jagger and Richards' success as writers, Chris Farlowe topped the UK charts with his Jagger-produced recording of "Out of Time" in August. [117], The album is also highlighted in popular record guides. He described "Goin' Home" as a "fantastic R&B improvisation" and said that "Lady Jane", "Under My Thumb" and "Mother's Little Helper" have the potential to be great singles. The reason – they attempt to sing. [136] In an article for Clash celebrating Aftermath's 40th anniversary, Simon Harper concedes that its artistic standing alongside the Beatles' contemporaneous works may be debatable but, "as the rebirth of the world's greatest rock and roll band, its importance is undisputed. 02. Both can be found on Stones' fourth album, Aftermath (UK two faced woman. To celebrate the Rolling stones' 55th anniversary we take on the daunting task of ranking their entire discography. Listen free to The Rolling Stones – Aftermath (Mother's Little Helper, Stupid Girl and more). "[139] Young infers that the album's principal lyrical theme now evokes a "rather old-fashioned sensation of brattish, spiky misogyny", presenting female characters as "pill-popping housewives … the idiotic hussy … the 'obsolete' fashion dummy … or the subjugated arm candy". ", "Classic Album: The Rolling Stones – Aftermath", "From the Music Capitals of the World – Amsterdam", "The Complete Works: Ranking All 374 Rolling Stones Songs", "Counterbalance No.
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